tag:blogger.com,1999:blog-9280929648648877802024-03-18T21:17:02.965-07:00495 ESM--My BlogArpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.comBlogger14125tag:blogger.com,1999:blog-928092964864887780.post-76010710944510016492013-05-13T17:51:00.002-07:002013-05-13T17:59:01.259-07:00Final Draft: World Text Analysis Essay<!--[if gte mso 9]><xml>
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<span style="font-family: "Times New Roman";">Arpine
Barseghyan<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman";">Dr. Wexler<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman";">English 495
ESM<br />
5/13/13<o:p></o:p></span></div>
<div class="MsoNoSpacing">
<span style="font-family: "Times New Roman";"> A Capitalistic Dystopia<o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 200%; text-indent: .5in;">
<i><span style="font-family: "Times New Roman";">Slumdog
Millionaire</span></i><span style="font-family: "Times New Roman";">, an alluring
drama film by Danny Boyle, casts light onto the poverty- stricken slums of
India, which is juxtaposed with a merging Westernized capitalistic society. The
film is about Jamal, a young man who is a former street child from the slums,
and his journey to justifying his correct answers on the Indian version of <i>Who Wants to Be a Millionaire? </i>No one
believes that an uneducated boy from the slums can correctly get through a game
show which tests knowledge, without subjecting to some form of cheating; the
film narrates Jamal’s life experiences which have supported his answers,
through flashbacks. <i>Slumdog Millionaire</i>
presents the effects of globalization, where the realization of the “American
Dream” is the most realistic freedom from the chains of the social castes; the
low expectations of the lower class, perpetuates the cycle of poverty. Even though
the film ultimately represents a rags to riches story, where Jamal wins the
game, reunites with his love, and seemingly detaches from the urban poverty of
India, the representation of upward social mobility is far from a utopian model.
The construction of space, where the shanty slums are juxtaposed with the new
high-rises, reveals the destructive elements of capitalism in <i>Slumdog Millionaire</i>, where the limited
opportunities for the poor, and the non-productive hierarchies of education,
sustain the cycle of poverty. <o:p></o:p></span></div>
<div class="MsoNoSpacing" style="line-height: 200%;">
<span style="font-family: "Times New Roman";"> Urban space, specifically the
scarcity and inefficiency of space, is apparent in the slums where young Jamal,
Salim, and Latika grow up. The opening scene, where Jamal and Salim are running
away from the policeman, presents the everyday life amongst the shanty town,
with its shacks made out of scrap materials, excessive garbage, unsanitary
conditions, and lack of an adequate water source and electricity. The space
epitomizes the poverty within India. Following the Bombay Riots, the
culture of the space alters, for what used to be the slums transforms into a
modern center of urban development. Looking down at what used to be their slum
from the high-rise in the midst of construction, an adult Salim tells Jamal,
“Now it’s all business. India is at the center of the world. And I’m at the center
of the center” (Boyle). The wealth that the new economic Mumbai center has
perpetuated is controlled by gangsters; thus the capitalistic economic system
helps a few but hinders the upward social mobility of the majority of the
working class. The inhabitants of the slums are displaced, and individuals like
Salim have to take the risk of working for the controllers of the wealth for
the sake of capital, for “those capable of embracing [the risk] would be the
managers if not the masters of their own lives” (Martin). The local slum
gangsters, like Maman and Javed Khan, take advantage of the “at risk”
population, particularly the kids, to exploit them for their capital gains, for
capitalism allows the underworld to function outside of the labor relations,
and thus “disintegrate the social” with the cycle of “misery, poverty,
unemployment, starvation, squalor, violence, and death” (Jameson 35). <o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.brandeis.edu/ethics/images/Dharavi_Slum_Mumbai_India" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://www.brandeis.edu/ethics/images/Dharavi_Slum_Mumbai_India" height="265" width="400" /></a></div>
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<span style="font-family: "Times New Roman";"><br /></span></div>
<div class="MsoNormal" style="line-height: 200%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: "Times New Roman";"> The limited opportunities for the
poor, as symbolized by Salim, Latika, and Jamal, secures the power relations of
capitalism, where the “crime, war, degraded mass culture, drugs, violence,
boredom, the lust for power, the lust for distraction, the lust for nirvana,
sexism, </span><span style="font-family: 'Times New Roman'; line-height: 200%;">racism—all
can be diagnosed as so many results of a society unable to accommodate the
productiveness of all its citizens” (38). After fleeing from their slum after
the Bombay riots, Jamal and Salim are led to lie, steal, and con to make money
for their survival. Maman’s entrance into their lives is welcomed, as he
provides temporary relief from the dangers of street life without a guide;
however, his exploitation of young, orphaned children as a tool for making him
money as beggars, exposes the limitations of the poor in an economic system
where the concentration of wealth sustains itself among the wealthy. Whereas
the boys, like Salim and Jamal, have the option of joining the underworld,
girls, like Latika, are commodified for capital. Latika was Maman’s greatest
asset, whose virginity would bring him great financial gains, if Salim had not
chosen to kill him during Latika’s rescue from a dismal future in prostitution.
The lure of money in a capitalistic framework directs Salim to choose a life of
crime to ensure his employment, which seems like the only feasible option for a
young, uneducated boy from the slums, elucidating Martin’s points that “as a
social force, capital not only dispossess people of old habits of life but also
attaches them otherwise” (Martin).</span></div>
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<a href="http://i.dailymail.co.uk/i/pix/2012/12/07/article-2244533-166610B7000005DC-760_634x300.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://i.dailymail.co.uk/i/pix/2012/12/07/article-2244533-166610B7000005DC-760_634x300.jpg" height="188" width="400" /></a></div>
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<span style="font-family: "Times New Roman";"> The non-productive hierarchies of
education, consequently perpetuates the cycle of poverty in a capitalistic
society, where knowledge and success is directly linked to proper,
institutionalized education. Jamal is tortured and investigated by the police
to get him to admit to cheating during the game show, for it is inconceivable
for a young, uneducated, “bloody village boy” from the slums to succeed in a
competition focused on knowledge, without proper education. The police
investigator is confounded by Jamal’s unwillingness to admit to his fraud, for
“professors, doctors, lawyers, general knowledge wallahs never get beyond
16,000 rupees. He’s on ten million. What the hell can a slumdog possibly know”
(Boyle). Moreover, the game show host never fails to remind Jamal of his low
status as a “chai wallah,” and the unlikelihood of a “slumdog becoming a
millionaire overnight;” the host finds Jamal’s unusual success a disruption of
the normal order of the status quo (Boyle). The police, the audience, the host,
and the millions of viewers at home find it impossible to associate Jamal’s
success with knowledge gained from real life experiences. They fail to realize
that the urban space of the slums where Jamal has grown up, has shaped his
selfhood and identity, for a capitalistic society where the 1% concentration of
wealth is associated with educated businessmen undermines the capabilities of
the lower class. The low expectations of the working class, and the traditional
approach to education, affirms the continual inequality of those who exist
outside of the tremendous concentration of wealth in the upper classes, thus
making Jamal’s happy-ending a destruction of the idealized utopian construct
which “comes to us as barely audible messages from a future that may never come
into being” (Jameson 54). <o:p></o:p></span></div>
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<a href="http://media1.santabanta.com/full1/Hollywood%20Movies/Slumdog%20Millionaire/slumdog-millionaire-16h.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://media1.santabanta.com/full1/Hollywood%20Movies/Slumdog%20Millionaire/slumdog-millionaire-16h.jpg" height="240" width="320" /></a></div>
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<span style="font-family: "Times New Roman";"> <i>Slumdog
Millionaire</i> symbolizes the negative effects of capitalism on the lower
class, and its ability to trap people within the cycle of poverty. The lack of
upward social mobility, the marginalized view of education, and the
displacement of the working class within the construct of urban space
perpetuates the inequalities within the economic system that undermines the
majority of the working class. Despite his social limitations, Jamal is able to
become a millionaire on the game show, and reunite with his love; his
staggering circumstances representing a “rags to raja” construct, are
ultimately linked to destiny. His destined success resembles the idealized
happiness of the American Dream, and the benefits of globalization; however,
fails in its ultimate representation of a utopia, for “a utopia is most authentic
when we cannot imagine it” (Jameson 46). <o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://fc06.deviantart.net/fs49/i/2009/169/1/5/Slumdog_Millionaire_by_GreenWhimsy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://fc06.deviantart.net/fs49/i/2009/169/1/5/Slumdog_Millionaire_by_GreenWhimsy.jpg" height="275" width="400" /></a></div>
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<br /></div>
<div class="MsoNoSpacing">
Works Cited</div>
<div class="MsoNoSpacing">
<o:p></o:p></div>
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<br /></div>
<div class="MsoNoSpacing">
<br /></div>
<div class="MsoNormal">
<span style="color: #353535; font-family: "Times New Roman";">Jameson,
Frederick. “The Politics of Utopia.” <i>New</i> <i>Left</i> <i>Review</i>.
35-54., 2004. Web.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 14.0pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="color: #353535; font-family: "Times New Roman";">Martin, Randy. “Where Did the Future Go?” <i>Logosonline</i>.
Logos 5.1, 2006. Web.<o:p></o:p></span></div>
<div class="MsoNormal">
<i><span style="font-family: "Times New Roman";">Slumdog
Millionaire</span></i><span style="font-family: "Times New Roman";">. Dir. Danny
Boyle. Perf. Dev Patel, Saurabh Shukla, Anil Kapoor. Celador Films, 2008.
Digital Stream.<o:p></o:p></span></div>
<!--EndFragment-->Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-67515156799519657452013-05-13T01:45:00.000-07:002013-05-13T01:45:06.720-07:00Final Blog Reflection
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This semester has been quite an
interesting experience; apart from my student teaching, which solidified my
desire to become a high school English teacher, this course has signified the
importance of including varying modalities in the teaching process. I enjoyed
diving into the five projects that we did, including the two essays, the two
presentations, and the poetry writing assignment. In the beginning of the
semester, when I first looked at the syllabus, the creative writing project
scared me the most; it was not a task I was looking forward to, but in
retrospect, the two poetry pieces and the poetry analysis paper were the two
projects that I appreciated the most. The creative writing component allowed me
to break out of my comfort zone and create two poetry pieces of differing
styles; I prefer literary analysis to the creative process, but reversing my
usual writing task was refreshing, and a definite learning experience. <o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
The collaborative group
presentations, both the mythology and the media literacy, were fun, interactive
projects with the extra twist of actually having to turn it into a lesson plan
for students. I think the teaching aspect was probably the most challenging
component of the presentations, for understanding and mastering content is only
the beginning stage of being a successful teacher. I think we constantly blur
the lines of being a good educator, with being an expert in our field; however,
this is not the case-especially in secondary education where the content has to
be made accessible to students of varying capabilities, prior knowledge, and
learning styles. I enjoyed the mythology presentation a bit more than the media
literacy project, purely because of the content, but it could have something to
do with slightly misunderstanding the expectations of the project; I thought we
had to create a lesson plan which included varying media literacies within and
present it in that format, whereas we actually had to show students how to use
a form of media communication. I’m glad that Dr. Wexler didn’t hold this
against us <span style="font-family: Wingdings; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-char-type: symbol; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin; mso-symbol-font-family: Wingdings;">J</span> <o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
I found the world text analysis
paper to be the most challenging assignment of this semester; connecting the
film <i>Slumdog Millionaire</i> to the
provided sources was not a simple task, but one which required some serious
analysis and critical applications. Correlating the larger dialogue of
capitalism, utopia, globalization, and the American Dream with the social and
monetary struggles of the young characters from the film was quite intriguing.
I have watched the film several times before, and find it interesting that
American/English directors always choose to portray the poverty and slums of
India, which serves as a drastic contrast to the positive, vibrant, and
didactic approach of Bollywood. As an avid viewer of Indian cinema, I can
understand why young Jamal took the drastic action to get Amitabh Bachchan’s
autograph, which escalates Salim’s cruelty in selling it off. Crafting a thesis
statement for this essay took several hours of quality time with the texts and
the film, but it was a process that allowed me to view and understand the film
from several perspectives. <o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
Apart from the student-centered
class discussions, and creative projects, I found the blog component of this
course a pleasantly original element, and one that contributed to the
interactive/collaborative model of this class. It was great to have all our
assignments in one place; the blog chronicled our work for the entire semester,
but also created a collaborative unit among our class-members. It was
fascinating to see the different approaches that everyone took with the same
projects and topics. I would love to use this model in my future class, and
understand why our Freshmen Composition professors choose to incorporate blogs
in Project Web; it may seem irrelevant or untraditional at first, but it
definitely broadens the outlook on composing and sharing work.<o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
English 495 ESM was a fun and
interactive course; I found Dr. Wexler’s chosen texts and projects relevant to
us as students and future educators. I genuinely see myself utilizing the
resources gained during this course in my upcoming semesters.<o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
Happy Graduation to those of you
who are graduating, and a very Happy Summer Break to everyone!<o:p></o:p></div>
<div class="MsoNoSpacing" style="text-indent: .5in;">
-Arpine <span style="font-family: Wingdings; mso-ascii-font-family: Cambria; mso-ascii-theme-font: minor-latin; mso-char-type: symbol; mso-hansi-font-family: Cambria; mso-hansi-theme-font: minor-latin; mso-symbol-font-family: Wingdings;">J</span><o:p></o:p></div>
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<!--EndFragment-->Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com1tag:blogger.com,1999:blog-928092964864887780.post-36143596966296456832013-05-05T17:28:00.000-07:002013-05-05T17:28:11.497-07:004/29/13 Reflection
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This week’s session was truly illuminating and got the
critical thinking juices flowing. Trying to correlate the articles to <i>Slumdog Millionaire</i> was not an easy
task, but going through the process as a class allowed for several ideas to
blossom, and correlations to be made between the cultural representations and
subtexts within the space of <i>SM</i>. I
enjoyed Jameson’s article and its rejection of a utopia, where a utopia
functioned as a manner of helping us make sense of our ideological boundaries
and to realize our limitations, thus revealing our incapacity to imagine what a
utopia is. I enjoyed our class discussion of an ideal utopian society; it was
interesting to see that everyone’s descriptions varied greatly, blurring the
lines between dystopian and utopian representations. I’m looking forward to crafting
my paper using the sources provided; it will definitely be a challenging, but
amusing experience!<o:p></o:p></div>
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<o:p> <span style="font-family: Verdana, sans-serif;"> </span></o:p><span style="font-family: Verdana, sans-serif;"><span style="text-indent: 0.5in;">This week truly chronicled the value
of media literacy in the classroom, for we were exposed to various new tools
and ideas that could be utilized to vary instruction in the secondary education
classroom. Ariana and I decided to go first, so that we could then sit back and
genuinely take in the objectives of the other presentations. I love to use
vibrant and visually appealing PPT’s, but after this weeks presentations I
found myself creating a Prezi presentation for my 10</span><sup style="text-indent: 0.5in;">th</sup><span style="text-indent: 0.5in;"> graders; my
students seemed to love it and it has thus made a permanent place in my
teaching toolbox!</span></span></div>
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<span style="font-family: Verdana, sans-serif;">I’m looking forward to watching <i>Slumdog Millionaire</i> from a different
perspective. I’ve watched the film several times before, but will now apply the
points from the articles and look through the lens of cultural and social
space. The paper that will follow the viewing of the film shall be quite
interesting!<o:p></o:p></span></div>
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<span style="font-family: Verdana, sans-serif;"><a href="http://desktop.freewallpaper4.me/view/original/7473/slumdog-millionaire-2008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://desktop.freewallpaper4.me/view/original/7473/slumdog-millionaire-2008.jpg" height="250" width="400" /></a></span></div>
<br />
<!--EndFragment-->Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-27463179336626253602013-03-25T13:55:00.002-07:002013-03-25T13:55:50.527-07:00Week 8 Reflection<!--[if gte mso 9]><xml>
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This week’s class was short and
focused on media literacy. Due to the technical difficulties with the projector
we could not listen to the two remaining myth presentations, but we were able
to dive into media literacy and view Dr. Wexler’s PPT on our individual
computers. “The<span style="mso-spacerun: yes;"> </span>medium is the message”
served as the guiding factor in the discussion of media and remediation; I
particularly enjoyed our discussion on immediacy and hypermediacy and the various
goals associated with each, which definitely allowed<span style="mso-spacerun: yes;"> </span>me to critically analyze the style of visual
representations in our daily lives.</div>
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I hope we can finish our remaining presentations
today and fully get into “media literacy” mode before our perfectly aligned two
weeks off. <span style="font-family: Wingdings; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-char-type: symbol; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-symbol-font-family: Wingdings;"><span style="mso-char-type: symbol; mso-symbol-font-family: Wingdings;"></span></span></div>
Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-24650148287562100672013-03-17T22:46:00.000-07:002013-03-17T22:48:18.332-07:00Week 7 Reflection<b id="internal-source-marker_0.4758853146340698"></b><br />
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<b id="internal-source-marker_0.4758853146340698"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><i>This week’s class session was all about myths--and was truly engaging and informative. Although I was sick and doing my best to be heard, my group presentation went well--it was wonderful to work with Kaitlin and Lisette. We chose to present the contradictory character of the Hindu goddess, Kali--who was presented as beautiful/terrible, victim/victimizer, a true paradox. </i></span></b></div>
<div dir="ltr" style="margin-bottom: 0pt; margin-top: 0pt; text-indent: 36pt;">
<b id="internal-source-marker_0.4758853146340698"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><i>I enjoyed the other two group presentations and especially valued the historical context that was provided before the analysis of each particular myth. I’m looking forward to the remaining presentations on Monday!</i></span></b></div>
<b id="internal-source-marker_0.4758853146340698"><i><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span></i><br /></b>Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-73104307055816680182013-03-11T11:18:00.001-07:002013-03-11T11:22:45.103-07:00Week 6 Reflection<span style="font-family: 'bookman old style', 'new york', times, serif; font-size: 16px;"> </span><i style="font-family: 'bookman old style', 'new york', times, serif; font-size: 16px;">This week's session was interactive and productive! My group and I had the chance to discuss our myth of <u>Kali Beheaded</u> and create a plan of attack. We discussed the importance of providing the context of the female divine before explicating Kali, and became immersed in the complexities of Hinduism. It's truly difficult to do any of the myths justice in the thirty minute presentations, for they all contain a plethora of references, nuances, and complexities which go beyond the mere words in our text, but introducing the basics will surely enhance our myth-knowledge and further our interests. I am looking forward to today's presentations!</i>Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-1017752234207472322013-03-04T10:53:00.001-08:002013-03-04T10:55:09.209-08:00Week 5 Reflection<!--[if gte mso 9]><xml>
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<span style="font-family: "Elephant","serif"; font-size: 12.0pt; line-height: 115%;"> Our 2/25/13 class session was
illuminating since we had the opportunity to hear the poetic talents of our
fellow classmates. Following a nervous silence, I decided to share my two poems
as well—and am glad I did since our class environment is very welcoming! The
second half of class was particularly intriguing as we began to dive into the
depths of mythology. My group has decided to explore The Feminine Divine and
specifically the Hindu myth of <i style="mso-bidi-font-style: normal;">Kali
Beheaded.</i>-which I’m truly looking forward to!</span><br />
<br />
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Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-50678010067843006972013-02-25T01:18:00.000-08:002013-02-25T01:18:23.489-08:00Poetic Trials: A Sonnet and Free Verse<b id="internal-source-marker_0.04467407101765275"><span style="font-family: Cambria; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="font-family: Cambria; font-size: 16px; font-style: italic; vertical-align: baseline; white-space: pre-wrap;"> Destined Recollections</span><span style="font-family: Cambria; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"> </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The moments that pass by will never return,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Like the pending lovely hopes of years long gone.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Yet the keen mind continues to yearn,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">For the simple anticipations that it once dwelled on. </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">How futile they all now seem, the forgotten dreams.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The dancing harmonies and images that use to </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Cascade down like the interminable waters of rushing streams,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Have renounced the recollections that were once true. </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The unforgettable scent of the purple lilac,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Beckons the beauty of the delicate past.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">What once was utterly inevitable and awestruck,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Has transformed its longing into a tempestuous forecast.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The memories that torture in every flashback,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">All seem to call out for a reason to turn back. </span><br /><span style="background-color: #ffecf3; font-family: Calibri; font-size: 15px; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-weight: normal;"> </span><span class="Apple-tab-span" style="font-weight: normal; white-space: pre;"> </span><span style="font-weight: normal;"> </span><i> Worldly Wonder</i></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> The world of wonder signals with each earthly cycle.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> The chirping of the lively birds </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Fills the air with whimsical tranquility.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Stretching its arms to envelop the lands,</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> The sun motions nature to take charge</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> And transform its dullness with sheer sparkle and spirit.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Light streams in through the window, </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Awakening the promises of a new day.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">How lovely and enchanting are the delights of convention?</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> How welcoming are its alluring intricacies?</span></b><br />
<b><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></b>
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<b><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></b>Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com1tag:blogger.com,1999:blog-928092964864887780.post-46768808155688112472013-02-24T22:56:00.001-08:002013-02-24T23:02:18.846-08:00Week 4 Reflection<b id="internal-source-marker_0.04467407101765275"></b><br />
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<span id="internal-source-marker_0.04467407101765275"><span style="font-family: Georgia, Times New Roman, serif; font-size: 16px; vertical-align: baseline; white-space: pre-wrap;"><i><b>This week’s class session was short, but to the point! Having just submitted our poetry analysis papers, we seemed ready to get working on our own creative poetry task. Writing poetry does not come naturally for me, so it was difficult to get actual words on paper in the thirty minutes of class; however, my imagination began operating at faster speeds. Rhyme and poetic form became my primary areas of concern. Decisions, decisions. Should I let the form dictate my word choice or let the my words flow willingly in free verse? </b></i></span></span></div>
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Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-625168981315359842013-02-18T15:42:00.000-08:002013-02-18T16:36:56.123-08:00Poetry Analysis Paper (Final)<b id="internal-source-marker_0.6995722923893481"><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Arpine Barseghyan</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Dr. Wexler</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">English 495 ESM</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">2/18/13</span></b><br />
<b id="internal-source-marker_0.6995722923893481"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Nature vs. Social Obligations</span></b><br />
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<b id="internal-source-marker_0.6995722923893481"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Robert Frost’s, “Stopping by Woods on a Snowy Evening” is a compelling poem which represents Frost’s prominent themes of human limitations, isolation, and the juxtaposition of life and death. As an eminent author of American Modernist literature, Frost’s works have come to symbolize the human struggle with societal norms and the contemplative journey to self-discovery. His simplistic style of writing depicts common experiences, yet epitomizes universal motifs which chronicle the philosophical considerations of the individual. The multiple interpretations and connotations of his poetry is an amalgam of simple diction with obscure expression, making his renowned writing both accessible and enlightening to the masses. Although uncomplicated in its form and diction, the imagery of Frost’s “Stopping by Woods on a Snowy Evening” represents the dichotomy between nature and social obligations. </span></b></div>
<b id="internal-source-marker_0.6995722923893481"><span style="font-family: Arial; font-size: 15px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><span class="Apple-tab-span" style="white-space: pre;"> </span></span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The simplicity of Frost’s meter and rhythm places greater emphasis on the meanings garnered by his choice of often monosyllabic words. The poem consists of four stanzas following an </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">AABA, BBCB, CCDC, DDDD </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">rhyme scheme and is written in iambic tetrameter, where each line consists of four iambic feet. The lines contain mostly single syllable words: know...though...snow, here, queer, near, year; thus the rhymes crowd together “embodying the rushed cadences of the man-made world” (Wakefield). The third line of each stanza sets up the rhyme for the following stanza. For example, in the first stanza, </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">know</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">though</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, and </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">snow</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> all rhyme, but </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">here</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> rhymes with </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">queer</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">near</span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, and </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">year </span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">in the following stanza, dragging the reader forward. The speaker is stopping by the woods on a snowy evening with his horse, and is tempted to stay longer, until he realizes that he has “Promises to keep / Miles to go before I sleep / Miles to go before I sleep” (14-16). On the surface, this poem seems to represent the temptation of death, even suicide, symbolized by the woods that are filling up with snow on the darkest evening of the year, however; the connotation of the woods, the horse, and the promises transcend the contemplation of death.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><span class="Apple-tab-span" style="white-space: pre;"> </span>“Stopping by Woods on a Snowy Evening” exemplifies the opposition between nature and one’s duty to society. In the first stanza the speaker associates the woods with an owner, “Whose woods these are I think I know / His house is in the village though;” representing the woods as personal property rather than nature (1-2). The speaker’s horse, in the second stanza, personifies society and reason for, “My little horse might think it queer / To stop without a farmhouse near” (5-6). Frost is commenting on society’s disengagement from nature and the lack of interaction and solitude within the natural world. In stanza three, the horse gives his “harness bells a shake / to ask if there is some mistake;” the lure of the woods and being alone in its deep and dark presence is seen as irrational, which the horse signals with his bells (9-10). The bells are a reminder of his obligations, or “promises” as the speaker states in stanza four, to the society outside of the woods. </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><span class="Apple-tab-span" style="white-space: pre;"> </span></span><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Stanza four provides the ultimate recognition of the dichotomy between the rational and irrational, between nature and social obligations. The speaker describes the woods for the first time, “The woods are lovely, dark, and deep,” yet does not dwell on the attraction and temptation of the woods, for he is reminded of the “promises” that he has to keep (14). The fear of being seen stopping by the woods “returns a man away from intimate contact with nature” and thus represents “the pull that the promises of modern life exert upon a man who feels a bond with nature” (Wakefield). The repetition of the last two lines of the poem, “And miles to go before I sleep / And miles to go before I sleep,” undermines the powerful lure of nature with the sense of belonging to the world of man; “the social side of his natures prevails over the psychic lure of the depths” (Shurr 585). The speaker’s responsibility to the civilized world overthrows the calm temptation of the woods, for the woods are not an accepted aspect of the social norm. Although the poem appears to solely present the contemplation of succumbing to death or continuing the journey of life, “it is about a man's separation from [the woods] and from the autonomy that would allow him to indulge his desire to appreciate them” (Wakefield). Ultimately, the speaker does not succumb to the aesthetic, psychological, and metaphorical allure of the woods, and chooses the rational over the irrational due to the demands of the man-made world.</span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><span class="Apple-tab-span" style="white-space: pre;"> </span>Frost’s “Stopping by Woods on a Snowy Evening,” through its accessible diction and form, represents the conflicting opposition between nature and societal obligations. The poem comments on man’s declining engagement with nature, especially being in solitude within nature in a society thriving in industrialization. The familiar experience of walking through the woods comes to exemplify the speakers philosophical journey through self-reflection and the struggles between the desire to enjoy nature and the will to conform to society’s expectations. Frost epitomizes the dichotomy between the natural world and one’s duty to society, demonstrating the alluring effect of his simplistic writing form. </span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><span class="Apple-tab-span" style="white-space: pre;"> </span></span><br /><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"></span><br /><span style="vertical-align: baseline;"></span><span style="vertical-align: baseline;"></span><span style="vertical-align: baseline;"></span><span style="vertical-align: baseline;"></span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"> Works Cited</span></b><br />
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<span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Shurr, William H. "Once More to the 'Woods': A New Point of Entry into Frost's Most Famous Poem." </span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The New England Quarterly</span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, 47.4 (1974): 584-595. </span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">JSTOR</span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">. Web. 15. Feb. 2013.</span><br />
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<span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">Wakefield, Richard. "Thomas Eakins and Robert Frost: To Be a Natural Man in a Man-made World." </span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">The Midwest Quarterly</span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">, 41.4 (2000): </span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-style: italic; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">JSTOR</span><span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">. Web. 15 Feb. 2013.</span><br />
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<span style="color: #262626; font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span>Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-3333683290577000022013-02-17T02:14:00.000-08:002013-02-17T02:47:44.874-08:00Week 3 Reflection<!--[if gte mso 9]><xml>
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<b><span style="font-family: "Apple Chancery";">This week’s class was definitely aimed at
creativity and got me thinking about the daunting task of poetry, which no
longer appears as baffling to me. I think that writing poetry is a creative
task, which should not be forced, but for those of us that don’t thrive in its
interminable world the challenge of stimulating the mind and its imagination is
intriguing. <o:p></o:p></span></b></div>
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<br /></div>
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<b><span style="font-family: "Apple Chancery";">Poetry Exercises:<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoNormal">
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><u>--Alliteration-- </u> <u> --Assonance--
</u><o:p></o:p></span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Everlasting Envy
Worldly Wonder<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Hollow Heart
Romantic Movement<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Subsiding Sea
Honor’s Society<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia, Times New Roman, serif;">Sautéed Spinach
Catastrophic
Cacophony<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia, Times New Roman, serif;">Restaurant Review Literary Figures<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia, Times New Roman, serif;">Irresistible ingredients Thrifty
Editions<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Georgia, Times New Roman, serif;">False Friend Wedding Bells<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Bountiful Berries
Lovely Hopes<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Mother’s Mercy
Declarative Sentence<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Struggling Stranger
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<br /></div>
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<br /></div>
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<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> <u> Metaphors</u><o:p></o:p></span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Love is a long awaited journey.<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Death is an inevitable sleep.<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Birth is the beginning of a new day.<o:p></o:p></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Marriage is a trek through foreign lands. </span><span style="font-family: Calibri; font-weight: bold;"><o:p></o:p></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><br /></span>
<span style="font-family: Georgia, Times New Roman, serif;"><br /></span></div>
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<br /></div>
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<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> Distances</span></b></div>
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<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">The unforgettable scent of the purple lilac<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> The memories that torture
in every flashback<o:p></o:p></span></b></div>
<div class="MsoNormal">
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> The melodies of the years that’ll never come
back<o:p></o:p></span></b></div>
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<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"> All call out for a
reason to turn back<o:p></o:p></span></b><br />
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><br /></span></b>
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><br /></span></b>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://cdn.c.photoshelter.com/img-get/I0000_Pq1oARUqAA/s/850/850/C97-Purple-lilac-blossoms-Peaks-Island.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://cdn.c.photoshelter.com/img-get/I0000_Pq1oARUqAA/s/850/850/C97-Purple-lilac-blossoms-Peaks-Island.jpg" width="480" /></a></div>
<b><span style="font-family: Calibri; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><br /></span></b></div>
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<br /></div>
<!--EndFragment-->Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com0tag:blogger.com,1999:blog-928092964864887780.post-82869411007767997542013-02-10T23:52:00.003-08:002013-02-11T00:15:53.262-08:00Week 2 Reflection<b id="internal-source-marker_0.697737623937428"></b><br />
<div dir="ltr" style="margin-bottom: 0pt; margin-top: 0pt; text-indent: 36pt;">
<b id="internal-source-marker_0.697737623937428"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;">This week’s class chronicled our initial journey through the world of poetry, and it was definitely a positive experience! The atmosphere was light and welcoming, ensuring the free exchange of ideas and interpretations, which is not always the case when it comes to poetry. I enjoyed the works we read out loud and particularly appreciated the different viewpoints that our class presented. The discussion of poetry itself and its proper definition cast light onto the often elusive nature of the literary form and illustrated the complexity of poems--both in its creative and analytic aspects. Although I’m not too ecstatic about the creative writing of poetry that’s coming up, I am enjoying my exploration of the 100 Best-Loved poems for my poetry analysis paper. It is difficult to choose which poem to focus on, but my research is pointing me towards either Frost’s “A Road Not Taken,” Keats's "Ode to a Grecian Urn," or Whitman’s “O Captain! My Captain!” </span></b></div>
<div>
<b id="internal-source-marker_0.697737623937428"><span style="font-family: 'Times New Roman'; font-size: 16px; font-weight: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></b></div>
<b id="internal-source-marker_0.697737623937428"></b>Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com1tag:blogger.com,1999:blog-928092964864887780.post-65464129122000837262013-02-02T23:35:00.000-08:002013-02-03T00:07:24.248-08:00Hello... :)<!--[if gte mso 9]><xml>
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<i><span style="font-family: Georgia, Times New Roman, serif;">My name is
Arpine Barseghyan and I’m a senior at CSUN. Welcome to my blog! I am an English
Literature major and have just begun student teaching at Northridge Academy
High School as part of my credential program, which is remarkably fascinating on
multiple levels. Although I am not a huge fan of social networking sites and
choose to live without them, I find blogs a wonderful medium of expression and
an effective tool in the classroom. Media technology is simply an inevitable
reality in today’s classroom and should be employed in the world of teaching,
especially in secondary education. Technology is an integral part of students’
lives, thus linking the methods of communication and information access they
are used to with critical applications will create an engaging and relevant connection
with content material and better prepare them for higher education and beyond.
I have found classroom discussion boards extremely effective for creating
dialogue around a common topic and exchanging new ideas and would love to have
a class website in my future classroom, where literature can be discussed and
new interpretations can be formulated. Whether it be through Moodle or a school
website, adding an online component to the classroom norm allows for each student
to work at their own pace and also have the opportunity to communicate with
peers. I have always enjoyed my online class experiences (ok, well not always,
but that had nothing to do with the class format), and I look forward to more
positive experiences in the future! </span></i><span style="font-family: Times New Roman;"><o:p></o:p></span><br />
<i><span style="font-family: Georgia, Times New Roman, serif;"><br /></span></i>
<i><span style="font-family: Georgia, Times New Roman, serif;"><br /></span></i>
<i><span style="font-family: Georgia, Times New Roman, serif;"><br /></span></i>
<i><span style="font-family: Georgia, Times New Roman, serif;">arpine.barseghyan.58@my.csun.edu</span></i></div>
<!--EndFragment-->Arpine B:)http://www.blogger.com/profile/01114189635738811483noreply@blogger.com3